Yuk Hui's compact rereading of Kant as a philosopher of machines is the most original framing yet for the AI debates, though its analogies sometimes do work that arguments should, and its quarrel with actual machine learning stays at arm's length.
A book that came from a business-analytics book series and reads like it—except for one chapter on the Gothic novel that shows what the volume could have been throughout.
A festschrift that solves the coherence problem many multi-author theory anthologies stumble on, by organizing itself around one scholar's own vocabulary—at the cost of testing that vocabulary from the outside.
Geoff Boucher builds a genuinely disturbing archive of rightwing insurgency fiction and reads it through a Lacanian update of Adorno, but the psychoanalytic technique that produces his best insight is also flexible enough to find that insight almost anywhere.
Critical theory is a method for asking how a technology is made, whose interests it serves, and whose labor it depends on. AI makes those questions a basic literacy for democratic life.
A conference volume that pairs a genuinely valuable prosopographical database with twelve case studies chosen more by who showed up to a 2022 conference than by any systematic survey of the field.
The series finale: how minimal computing and GO::DH turn digital preservation into a shared practice of plain text, static sites, and global collaboration.
Why digital humanities projects die from link rot, dead software, and funding cliffs, and how persistent identifiers and repositories keep them alive.
Why the humanities need digital methods right now: the digitized record, public scholarship, open teaching, honest answers to skeptics, and the AI moment.
Why theology and religious studies need digital humanities: the infrastructures, ethics, and pedagogy shaping how scholars work with sacred texts and sounds.
A practical, opinionated guide to digital humanities tools for dissertation writers, from Zotero and Tropy to Knight Lab interactives and CORE deposits.
What the digital humanities are, where they came from, and why the definition debates still matter, from Father Busa's punched cards to Zotero and beyond.